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Alternate Sessions at Early 60s

# Tracks Playtime Session Session Personnel & Personnel Variances for Tracks
1 Terrible "T" 06:55 Lee Morgan February 3, 1960 Lee Morgan (trumpet, flugelhorn), Clifford Jordan (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Art Blakey (drums)
2 I'm a Fool to Want You (alternate) 06:55 Lee Morgan February 3, 1960 Lee Morgan (trumpet, flugelhorn), Clifford Jordan (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Art Blakey (drums)
3 Scotch and Water (Joe's Avenue) 02:56 Wynton Kelly July 20, 1961 Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)
4 Sassy 05:09 Wynton Kelly July 21, 1961 Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)
5 Someday My Prince Will Come 03:39 Wynton Kelly July 20, 1961 Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)
6 Blues a la Carte (alternate) 05:40 Wayne Shorter November 9 and 10, 1959 Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)
7 Harry's Last Stand (alternate) 04:58 Wayne Shorter November 9 and 10, 1959 Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)
8 Lucka Duce 09:55 Frank Strozier December 9, 1959 Booker Little (trumpet), Frank Strozier (alto saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums)
Leader(s): 
Lee Morgan
Leader(s): 
Clifford Jordan
Leader(s): 
Wynton Kelly
Leader(s): 
Paul Chambers
Leader(s): 
Art Blakey
Leader(s): 
Sam Jones
Leader(s): 
Jimmy Cobb
Leader(s): 
Wayne Shorter
Leader(s): 
Frank Strozier
Leader(s): 
Booker Little
Label Name: 
Vee Jay Records
Catalog Number: 
RJL 2640
Format: 
LP
Post-production audio editing
Remaster: 
no
Remix: 
no
Overdub: 
no
Sources: 
discogs.com, jazzdisco.org
Issue Details: 

Every discography shows "Sassy" as being on this album, but the record sleeve says "Char's Blues" rather than "Sassy." I do not have access to the audio, so until I can varify the track, I am putting what is seen on other discographies.